Shadows Over Rilke

I love these shadows, cast by a glass over the cover of a collection of Rilke's poetry. The patterns on the glass fell with beautiful, matching grace across the spiraling design of the book on my table. A November gift: found art. Rilke is one of my favorite poets. His words, so perfect for today:

... But, listen: a rake at work this early.
Above, alone, in the vineyard,
a man is already talking with the earth.

-- Rainer Maria Rilke, from The Essential Rilke, Selected and Translated by Galway Kinnell and Hannah Liebmann

The photo was taken 11/7/10. Just click on image to enlarge.

Tree with the Moon in the Palm of Its Hand

Yes, I'll say that again: tree with the moon in the palm of its hand.

This photo was taken at the very end of November. Standing there, looking up, I felt like that pearl of a moon was being offered to me. I guess it was. I took it. Now I'll pass it on to you.

For a closer look, simply click on the image.

The Face of the World

Yesterday, this milkweed plant captured the austere beauty of late November. I love the shape of the pods as they dry and twist, having released most of their silk-haired seeds. The forms grow simpler, the colors muted. The eye exalts in the stark new patterns that reveal themselves at the end of fall.

Ralph Waldo Emerson comments on this in Nature:

All men are in some degree impressed by the face of the world; some men even to delight. This love of beauty is Taste. Others have the same love in such excess, that, not content with admiring, they seek to embody it in new forms. The creation of beauty is Art.

The production of a work of art throws a light upon the mystery of humanity. A work of art is an abstract or epitome of the world. It is the result or expression of nature, in miniature. For, although the works of nature are innumerable and all different, the result or the expression of them all is similar and single. Nature is a sea of forms radically alike and even unique. A leaf, a sun-beam, a landscape, the ocean, make an analogous impression on the mind. What is common to them all, -- that perfectness and harmony, is beauty. The standard of beauty is the entire circuit of natural forms, -- the totality of nature; which the Italians expressed by defining beauty, "il piu nell' uno." Nothing is quite beautiful alone: nothing but is beautiful in the whole. A single object is only so far beautiful as it suggests this universal grace. The poet, the painter, the sculptor, the musician, the architect, seek each to concentrate this radiance of the world on one point, and each in his several work to satisfy the love of beauty which stimulates him to produce. Thus is Art, a nature passed through the alembic of man. Thus in art, does nature work through the will of a man filled with the beauty of her first works.

-- Ralph Waldo Emerson

The Miniaturist

Sitting here finishing my Chicken Marsala, I just remembered that I had a poem, "The Miniaturist," that would be so fitting to post on this cold and blustery November night. Then I realized that I also had new photos that I took at a strange little doll museum in Vermont. Synthesis.

THE MINIATURIST

Here, in his cellar workshop,
a human sneeze could topple a world.
He confines his vision to the rooms
of the red and blue dollhouse.
Within a cone of golden light,
his hands are steady,
everything perfectly focused.
He balances a poppy seed bead of glue
on the tip of a toothpick,
attaches fringe to a rug
sewn from a scrap of his robe.
For his silent family,
he snips the hair from his head,
paints their eyes and smiling lips
with a single-bristle brush.

At dusk he lights the tiny lamps
and dreams himself inside.
Admit it, you're in there, too --
feet propped on the tapestry footstool,
hands clasped behind your neck.
An Afghan the size of a stamp
cozily rests across your lap.
You've turned your back to the missing wall,
to November's early darkness.
A bulb is ablaze
in the miniature fireplace,
its orange glow mistakable for warmth.

-- Christine Boyka Kluge
From Teaching Bones to Fly (2003)
Bitter Oleander Press

The poem was first published in Tar River Poetry, then in Teaching Bones to Fly. The photograph was taken 11/6/08. For more on things miniature, see the June 30th post entitled "The Poetics of Space," complete with a photo of a dollhouse doll. To enlarge the photos, just click on the images.