Disobey the Current

Drawn by the curled wave of snow and ice against black water, I stood as close as I dared, not knowing where the ground ended and the stream began beneath the snow.

Thoughts jotted down while revisiting the image this silent Sunday morning:

Thinking of all the forces that rush past – unstoppable -- that freeze and melt our edges, that swirl our thoughts into beauty and darkness, that form patterns of poetic clarity, that ripple cold and warm past the heart, as boundaries thaw then re-form, then give way again, as -- quivering -- we inhabit shape after shape. Yet, how still and immutable, how solid: that place at our core that disobeys the current.

The photo was taken 1/9/10. Click on image to enlarge.

Cosmic Piglet

Up way too early this morning, I was playing around with my camera, a Christmas marzipan pig from my younger daughter, an old etched copper plate from printmaking days, and some bubbled glass. Oh, and the muted morning light coming in through the sliders. I don't know what there is about this photo, but it makes me laugh. The floating pig seems to be looking down on Earth with goofy wonder. Just something silly to start the day, a little effervescence for you.

Does anyone actually eat marzipan? To enlarge the image, just click on the picture.

The Real Sky Was Better

Tonight's sunset: the inky trees were crosshatched over the blue and rosy stripes of clouds. I like the tangled nest of lines gathered at the lower right, with the last pastel light peeping through. It was well worth braving the icy air to go for a walk earlier in the day. Later on, coming home with groceries, I drove beneath these gorgeous colors. I grabbed my camera to try to capture the fading sunset from my neighbor's driveway. The real sky was so much better, unwilling to live inside my camera.

I wish you all a creative and colorful 2010!

To enlarge the image, click on the photo.

Shoveling by Moonlight

At sunset, my neighbors' holiday lights cast an eerie glow from beneath the new snow. Like four miniature suns, they formed part of an alien wintry landscape. After my walk, I finished shoveling by moonlight.

La Fovea

I was invited by wonderful poet Pamela Hart to join in the fun on La Fovea, an online literary magazine with an intriguing concept. Editor Frank Giampietro just posted two of my prose poems, "Tortoiseshell" and "Bride Number Two." If you want to read them, simply click on this link:

La Fovea

Then make sure to travel on and explore this expanding community of poets!

I was fascinated by the unusual way this publication works. Here is a description from the Web site explaining "the rules":

•Each nerve editor (found on the main page) is in charge of a nerve. The nerves are made up of poets who are invited to submit to La Fovea. Click on the editor's name to see all the poets and poems in his or her nerve.

•The nerve editor asks a poet to submit two poems. After that poet has had his or her poems published on La Fovea, he or she will ask another poet to submit poems.

•If the last poet on the nerve does not find a poet to submit poems for whatever reason, the nerve is called "dead." It's okay to have a "dead nerve." The important thing is for the nerve editor to notice that a nerve has died and begin a new nerve from their first page of poems.

I also enjoyed the inspirational quote from a letter Frank O'Hara wrote to Kenneth Koch, which explains the title, La Fovea. Here are O'Hara's words:

"Kenneth you really are the backbone of a tremendous poetry nervous system / which keeps sending messages along the wireless luxuriance / of distraught experiences and hysterical desires so to keep things humming / and have nothing go off the trackless tracks"

--Frank O'Hara

And now, a brief biology lesson about the eye from La Fovea's editor, Frank Giampietro:

The fovea is the place on the back of the eye where the nerves gather and take signals from the eye to the brain. Ironically, the fovea is the only place on the back of the eye that does not imprint an image. Instead the brain fills in the image based on information around it so that we don't have a small spot in our vision.

We think the term is, well, poetic and sums up in a metaphor a lot of what it means to find, and "to see," excellent poems.

The poets whose work appears on this website agree in part or in whole with the following manifesto:

1. We believe that it makes no sense to say one form of poetry is more valid or more artistic than any other.

2. We believe that the old model of submission/rejection is but only one way for finding and publishing the best poetry.

3. We want poets rather than poet/editors to have more editorial authority in general. Poets should be able to champion people they love and have their opinions "matter."

4. We think La Fovea will encourage poets to read each other's poems because they will want to know who else is on their nerve. They will want to ask, "With whom am I related?"

Thanks to Pam for inviting me to join her nerve on La Fovea, and thanks to Frank for posting the prose poems. Stay tuned to find out who I invited to join the nerve.

Oh ... the wildly gorgeous eyes above belong to a very laid-back ragdoll cat, Poodiddy, who belongs -- sort of -- to my younger brother and sister-in-law. He didn't even seem to mind my camera right up next to his whiskers. Click on the image to enlarge.

Tree with the Moon in the Palm of Its Hand

Yes, I'll say that again: tree with the moon in the palm of its hand.

This photo was taken at the very end of November. Standing there, looking up, I felt like that pearl of a moon was being offered to me. I guess it was. I took it. Now I'll pass it on to you.

For a closer look, simply click on the image.

Ice Thorn

Late this afternoon, at the top of my hill: an ice thorn encasing the last of the light.