Friday, June 6, 2008

Floating Daisies


I'm not sure why it gave me such calming pleasure to float African daisies (Osteospermum) in an old white bowl covered with big turquoise polka dots. But it did. I love the variety with the unusual purple "spooned" petals. (I believe it's called "Pink Whirls.") I also discovered that the daisies cast wonderful dancing shadows, like an animated child's drawing of flowers.

Photos were taken 5/13 and 5/14/08. Click on pictures to enlarge.

Tuesday, June 3, 2008

Never Talk Back to the Water

The deepest water employs a more serious tone. It uses a guttural form of interrogation. As you move through its body, it questions your presence. Holding your hair in its cold hands, it examines your face. Keep your lips sealed. Although it has the magic to turn you weightless, to keep your thumping heart suspended, unburdened as a fish -- beware. Its true desire is to steal your breath, to swallow you whole. Never talk back to the water. Mind your manners, keep your thoughts to yourself. Always remember the grassy shore. Float.

Excerpt from "Never Talk Back to the Water," a prose poem from Stirring the Mirror. The photo was taken 5/7/08.

Saturday, May 31, 2008

Unsettled Air





Coming out of a local restaurant a couple of Thursdays ago, we caught a glimpse of a double rainbow in the eastern sky, between the trees. In search of a more open view, we drove to the North County Trailway in Yorktown and stood on the bridge over the New Croton Reservoir. The unsettled air produced some wild contrasts in the weather. The rapid changes in the surroundings were beautiful: wind-whipped inky clouds, water turned to hammered silver, sky scoured blue and spotless, pelting rain, and intermittent rainbows. Sometimes rays of sun pierced the raindrops as they fell. It was like standing inside a time-lapse sequence of May days, our hair flying, the condensed weather flickering over us. The scenes changed in such quick succession that I could almost feel the seasons of my life rushing over my scalp.

All five photos were taken from the Putnam Railroad Bridge on the North County Trailway in Yorktown, NY, on 5/22/08.

Friday, May 23, 2008

Findings from the Archaeological Museum

Dina Bursztyn of The Open Studio Art Gallery in Catskill, NY, e-mailed an announcement of the new show at the gallery, Findings from the Archaeological Museum. The invitation listed examples of the unusual things to be discovered there:

The collection includes a necklace that was lost by the God Neptune, a fork that once belonged to Thomas Cole, the moon's smoking pipe, a Hemingway tangle, and a monument made by a tribe of diminutive sculptors of the Hudson Valley, now believed extinct. Artifacts found by artchaeologist Dina Bursztyn. Also on view: new assemblages by Julie Chase.

The photos above show two samples from the show: "Horse Zeppelin" by Julie Chase (left) and "Pandora's Lock" by Dina Bursztyn (right).

The Open Studio is located at 402 Main Street, Catskill, New York. During May the hours are Friday and Saturday 12-6, Sunday 12-4, and by appointment and chance.

For more information and lots of wild art, you can visit www.potatospirit.com, Dina's Web site. (Potato Spirit! You've got to love that.) If that's not enough for you, you can call (518) 943-9531.

A couple of Cyclops-like creatures from The Open Gallery appear in my Glorious Cabinet of Perfect Order and Beauty, pictured in the 5/2 post. Other previous posts are accessible by scrolling down to the bottom of this page and clicking on "Older Posts."

Tuesday, May 20, 2008

Gertrude & Olga: BFFs

Sorry, sorry. I can't help it. I love them.

Plural of BFF? Confusing. BFFs? I saw it this way in The New Yorker. Picture of aged Steiff hedgehogs taken 5/1/08.

Saturday, May 17, 2008

Somewhere Between Lilacs and Honeysuckle

Walking uphill past my neighbor's house, somewhere between the white lilacs and the honeysuckle, I noticed a single iris blooming, leaning toward the road as if to greet me. This reminded me of another iris, probably a sister to this one, that my neighbor brought me years ago. Throughout the blooming season, she delivers me surprises of flowers from her yard: magenta azaleas, daffodils, peonies like pale pink tutus. They arrive in an odd assortment of containers, charming in their combinations: tomato cans, vitamin jars, apple juice and water bottles. I stumble upon an unexpected gift of color and perfume, which is followed by the meditative pleasure of arranging the flowers in ceramic and glass vases collected over the years.

That original iris really captivated me. Flowers reveal incredible details when met face to face. I remember observing the iris' beauty and demise over the following days. This fascination resulted in a poem:

Lavender Cathedral

The iris builds its lavender cathedral,
curving three vaulted petals
over a trinity of fringed ones
that leap skyward
through translucent arches.

Three lowest petals
lower long, furred tongues;
carpets of yellow hairs unroll
down the center of each one.

Slowly, flowers fold and curl and darken,
exuding a grapey sweetness as they shrink.
When I touch them,
they are cool and cling to my fingertip
like wrinkled balloons.

One iris forms a withered fist,
soft knuckles sticky with dying,
while the next one up the emerald stem
unfurls a new sanctuary
of captive purple radiance
our eyes enter anew,
worshipping.

"Lavender Cathedral" was first published in The Bitter Oleander, then in an online "gallery" on three candles. It later became part of Teaching Bones to Fly, my first book. The photo of the iris was taken this afternoon. I also found a four-leaf clover at the top of the hill.

Thursday, May 15, 2008

Secret Worlds in Wonderland

Last fall I discovered Book Barn, a wonderland of used books in Niantic, Connecticut. For those who love to meander through aisles and aisles of books, hoping to serendipitously discover unread treasures-- those entrances to countless secret worlds--this is the place to go. At last count, they had over 350,000 books on display throughout their sprawling complex, which includes a barn, houses, sheds and tents. (You will also find friendly and knowledgeable staff; complimentary coffee, tea, cookies and doughnuts; as well as cats and goats.) 2008 is their twentieth anniversary year.

I came across a copy of (Woman) Writer: Occasions and Opportunities, a 1988 collection of essays by Joyce Carol Oates. Because it contained an intriguing essay about Emily Dickinson that I wanted to finish reading, I bought it. The other day I picked it up to read again, poking about among the offerings, landing on a chapter called "Wonderlands." Here is what she had to say:

How spontaneously our childlike excitement is aroused by the mere notion of a secret world--a secret garden perhaps, or a world of dazzling radiance; a spectral world that is yet authentic, plausible--contiguous with our own (otherwise how should we enter it?) yet altogether separate and unpredictable. A veritable galaxy of fantasy worlds exists for us to explore, in legend, fairy tale, and imaginative literature; and no less fantastic are the hypostatized worlds of singularities (in physics, "non-places" where all known laws of nature seem to be suspended) and counterfactual conditionals ("possible worlds" accessible only by way of logic).... Divine legends, Gothic tales, childhood fantasies, moral parables cloaked in the forms of science fiction, the supernatural, the mock-adventure--each makes claim to having penetrated the most secret region of the soul, addressing the soul in its own special language....

This ties in with her introduction to the book, which begins with a quote from Gide:

"I will maintain that the artist needs only this: a special world of which he alone has the key."

In this opening chapter, Joyce Carol Oates presents two theories about "the genesis of 'art' ":

1. It originates in play: in experiment, improvisation, fantasy; it remains forever, in its deepest impulse, playful and spontaneous, a celebration of the (child's?) imagination.

2. It originates out of the artist's conviction that he or she is born damned; and must struggle through life to achieve redemption. By way of art.

These thoughts appear contradictory. But Joyce Carol Oates says: "Sometimes one is self-evidently true; sometimes, the other."

And later:

The unique power of the unconscious is that it leads us where it will and not where we might will to go. As dreams cannot be controlled, so the flowering of a work of art cannot be controlled except in its most minute aspects.... As in any fairy tale or legend the magic key unlocks a door to a mysterious room--but does one dare enter? Suppose the door swings shut? Suppose one is locked in until the spell has lifted? But if the "spell" is a lifetime? But if the "spell" is the life?

The photograph of poppies (of course) was taken at that secret garden, NY Botanical Garden, on Mother's Day.